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Archival Spaces: Memory, Images, History
The New York Times reported last week that Andrew Sarris, long-time film critic for the Village Voice, had died at the age of 83 in Manhattan.
Recently, at a dinner with Todd Haynes and B. Ruby Rich, we were discussing Douglas Sirk, the German American film director whose melodramas with Rock Hudson and Jane Wyman were such a huge influence on both Haynes and R.W. Fassbinder.
The New York Times reported this week that Renzo Piano and Zoltan Pali had been hired by the Academy of Motion Picture Arts and Sciences to build their planned film museum in the ol
What used to be called the Nederlands Filmmuseum has now renamed itself the EYE Film Institute, after moving in April to fabulous new digs across the IJ Canal in Amsterdam’s Overhoeks district, facing the old town and the train station. EYE’s new building features four cinemas: one with 300 seats, two with 120 seats, and one with 80 seats.
The annual Congress of the International Federation of Film Archives (FIAF) usually starts with a two day symposium on some subject of interest to the delegates from as many as 160 different countries. This year’s symposium, organized by the China Film Archive in Beijing on April 22 and 23 considered the history and preservation of animation.
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