 |
To Be an Actress: Labor and Performance in Anna May Wong's Cross-Media World
By Yiman Wang
|
 |
Dear Barbara Loden: Reconsidering Wanda (1970)
By Sadia Quraeshi Shepard
[in]transition, vol. 11, issue 3, 2024, Special Issue: Women and Aging
|
 |
Ida Lupino, Forgotten Auteur: From Film Noir to the Director's Chair
By Alexandra Seros
|
 |
Gold Dust on the Air: Television Anthology Drama and Midcentury American Culture
By Molly A. Schneider
|
 |
“Outtakes and Lost Film: The Fragmentary Encounter between ‘Newsreel’ Wong and the ‘Chinese Colleen Moore’"
By Xin Peng
JCMA: Journal of Cinema and Media Studies, vol. 63, issue 3. Spring 2024, p. 170-176
|
 |
Columbo: Make Me a Perfect Murder
By Amelie Hastie
|
 |
Afterlives of Anders als die Andern and of Weimar
By Sara Friedman
Central European History, First View, p. 1-19
|
 |
The Lost History of the Paul Bunyan Canoe Derby
By Frank Bures
Minnesota History, vol. 69, no. 2, Summer 2024, p. 54-67
|
 |
Movie-Made Los Angeles
By John Trafton
|
 |
Women and New Hollywood: Gender, Creative Labor, and 1970s American Cinema
By Aaron Hunter and Martha Shearer
|
 |
Political Camerawork: Documentary and the Lasting Impact of Reenacting Historical Trauma
By D. Andy Rice
|
 |
“Dangerous in the Minds of Barrio People”: Empowering Bicultural Latino Identity on Spanish-Language Television in Los Angeles, 1960–1990”
By Carlos Francisco Parra
Western Historical Quarterly, vol. 54, issue 4, Winter 2023, p. 287–306
|
 |
Ana M. López: Essays
By Ana M. López
|
 |
Laura La Plante: Silent Cinderella
By Laura Jerrolds
|
 |
Eleanor Roosevelt on Screen: The First Lady's Appearances in Film and Television, 1932-1962
By Angela S. Beauchamp
|
 |
Immortal Films: "Casablanca" and the Afterlife of a Hollywood Classic
By Barbara Klinger
|
 |
Insight, the Series - A Hollywood Priest's Groundbreaking Contribution to Television History
By Mark A. Villano
|
 |
Hollywood's Embassies: How Movie Theaters Projected American Power Around the World
By Ross Melnick
|
|
Alternate Archives in US Daytime TV Soap Opera Historiography
By Elana Levine
JCMS: Journal of Cinema and Media Studies, vol. 60, issue 4, Summer 2021, p. 174-180
|
 |
From Rabbit Ears to the Rabbit Hole: A Life with Television
By Kathleen Collins
|
|
Industrializing Nationalist Dissent:
Music Censorship, 2 Live Crew, and the Politics of Performance at the 1990 MTV Video Music Awards
By Michael M. Reinhard
The Velvet Light Trap, no. 89, Spring 2022, p. 45-55
|
 |
Latino TV: A History
By Mary Beltrán
|
 |
Her Stories: Daytime Soap Opera and US Television History
By Elana Levine
|
 |
Their Own Best Creations: Women Writers in Postwar Television
By Annie Berke
|
 |
"The Black Film Ambassador: The Ecstatic World of Albert Johnson"
By Josslyn Luckett
Film Quarterly, vol. 75, no. 1, Fall 2021, p. 62-69
|
 |
Patricia Neal: An Unquiet Life
By Stephen Michael Shearer
|
 |
Citizen Cash: The Political Life and Times of Johnny Cash
By Michael Stewart Foley
|
 |
Vitagraph: America’s First Great Motion Picture Studio
By Andrew A. Erish
|
 |
Screening the Police: Film and Law Enforcement in the United States
By Noah Tsika
|
 |
Stars of Jazz: A Complete History of the Innovative Television Series, 1956-1958
By James A. Harrod
|
 |
Very Special Episodes
Edited by Jonathan Cohn and Jennifer Porst
|
 |
Sweet Oddball: The Story of Alice Pearce
By Fredrick Tucker
|
 |
To Make the Wounded Whole: The African American Struggle Against HIV/AIDS
By Dan Royles
|
 |
“Searching for Betty Chen: Rediscovering the Asian American Filmmakers of UCLA in the Seventies” (full article PDF)
By Josslyn Luckett
Film Quarterly, vol. 73, no. 3, Spring 2020, p. 34-40
|