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Archival Spaces: Memory, Images, History
Film academics usually include a list of their “research interests” in their resumes and short biographies. As a film historian I have been sustained by and identified with research into the exile of German-speaking filmmakers from Berlin and Vienna after Hitler’s ascension to power in 1933. Beginning with my Louis B.
The Los Angeles Times broke the story on January 18: “Paramount stops releasing major movies on film” (latimes.com).
I recently watched My Dinner with Jimi (Bill Fishman, 2003), a great little film about Howard Kaylan and The Turtles that seemingly never got any play when it was released, except at a few film festivals.
Susan E. Dalton was one of the giants in the then-emerging field of moving image archiving. For many years, she was a colleague and a friend. She died on November 30 from complications following surgery.
A year from now, UCLA Film & Television Archive will present a major film series and traveling exhibition, “Through Indian Eyes: Native American Cinema,” curated by a team of Native American filmmakers, Valerie Red-Horse and Dawn Jackson, as well as our head programmer, Shannon Kelley, and myself.
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