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A selection of feature films restored and preserved by the UCLA Film & Television Archive since 1977.
A - B | C - D | E - F | G - H | I - K | L - M | N - O | P - R | S | T - U | V - Z
A
Abbott and Costello Meet Captain Kid (dir. Charles Lamont, 1952)
After Tomorrow (dir. Frank Borzage, 1932)
Alibi (dir. Roland West, 1929)
All That Money Can Buy (dir. William Dieterle, 1941)
Almost Married (dir. William Cameron Menzies, Marcel Varnel, 1932)
Always Goodbye (dir. William Cameron Menzies, 1931)
An American Tragedy (dir. Josef von Sternberg, 1931)
Anders als die andern [Different from the Others] (dir. Richard Oswald, 1919)
Angel and the Badman (dir. James Edward Grant, 1946)
Angelina (dir. Louis King, 1935)
The Animal Kingdom (dir. Edward Griffith, 1932)
The Annihilation of Fish (dir. Charles Burnett, 1999)
Anybody's Woman (dir. Dorothy Arzner, 1930)
Applause (dir. Rouben Mamoulian, 1929)
Arch of Triumph (dir. Lewis Milestone, 1948)
The Argonauts of California (dir. Henry Kabierske, 1916)
The Argyle Secrets (dir. Cy Endfield, 1948)
The Awful Truth (dir. Leo McCarey, 1937)
B
Baby Doll (dir. Elia Kazan, 1956)
Bachelor of Arts (dir. Louis King, 1934)
Bachelor's Affairs (dir. Alfred Werker, 1932)
Back to God's Country (dir. Irvin Willit, 1927)
Ball of Fire (dir. Howard Hawks, 1941)
The Barefoot Contessa (dir. Joseph L. Mankiewicz, 1954)
Barriers of the Law (dir. J. P. McGowan, 1925)
The Barker (dir. George Fitzmaurice, 1928)
Barriers of the Law (dir. J.P. McGowan, 1925)
The Bat (dir. Roland West, 1926)
The Bat Whispers (dir. Roland West, 1930)
Becky Sharp (dir. Rouben Mamoulian, 1935)
The Bells of St. Mary's (dir. Leo McCarey, 1945)
Best of Enemies (dir. Rian James, 1933)
La bestia debe morir (The Beast Must Die, dir. Román Viñoly Barreto, 1952)
The Better 'Ole (dir. Charles Reisner, 1926)
The Bigamist (dir. Ida Lupino, 1953)
The Big Broadcast (dir. Frank Tuttle, 1932)
The Big Combo (dir. Joseph Lewis, 1955)
Big Dan (dir. William A. Wellman, 1923)
The Big Shakedown (dir. John Francis Dillon, 1934)
The Big Sleep (dir. Howard Hawks, 1945-6)
The Black Sheep (dir. Allan Dwan, 1935)
Bless Their Little Hearts (dir. Billy Woodberry, 1984)
Blonde Venus (dir. Josef von Sternberg, 1932)
Blondie (dir. Frank R. Strayer, 1938)
Blue Skies (dir. Alfred Werker, 1929)
Body and Soul (dir. Robert Rossen, 1947)
Born into Brothels: Calcutta's Red Light Kids (dir. Zana Briski, Ross Kauffman, 2004)
A Boy and His Dog (dir. L.Q. Jones, 1975)
Brandy in the Wilderness (dir. Stanton Kaye, 1969)
The Bridge of San Luis Rey (dir. Rowland V. Lee, 1944)
The Bright Shawl (dir. John S. Robertson, 1923)
The Brother From Another Planet (dir. John Sayles, 1984)
The Buccaneer (dir. Cecil B. DeMille, 1938)
Buckeye and Blue (dir. Juleen Compton, 1988)
Bullfighter and the Lady (dir. Budd Boetticher, 1951)
The Bus (dir. Haskell Wexler, 1965)
Butterfly (dir. Clarence Brown, 1924)
C
Los calaveras (dir. James W. Horne, 1930)
Can't Help Singing (dir. Frank Ryan, 1944)
Captain Lash (dir. John G. Blystone, 1929)
Caught (dir. Max Ophüls, 1949)
The Chalice of Sorrow (dir. Rex Ingram, 1916)
Champion (dir. Mark Robson, 1949)
The Chase (dir. Arthur D. Ripley, 1946)
Cheaters at Play (dir. Hamilton MacFadden, 1932)
Check and Double Check (dir. Melville Brown, 1930)
Cheer Up and Smile (dir. Sidney Lanfield, 1930)
Cheers for Miss Bishop (dir. Tay Garnett, 1941)
Chicago (dir. Frank Urson, 1928)
Chicano Love is Forever (dir. Efraín Gutiérrez, 1977)
Choosing Children (dir. Debra Chasnoff, Kim Klausner, 1985)
City Streets (dir. Rouben Mamoulian, 1931)
Cleopatra (dir. Cecil B. DeMille, 1934)
Cloak and Dagger (dir. Fritz Lang, 1946)
College Days (dir. Richard Thorpe, 1926)
Come Back to the Five and Dime, Jimmy Dean, Jimmy Dean ( dir. Robert Altman, 1982)
The Connection (dir. Shirley Clarke, 1961)
Copacabana (dir. Alfred E. Green, 1947)
Counsellor-at-Law (dir. William Wyler, 1933)
Cover Up (dir. Alfred E. Green, 1949)
The Cowboy Millionaire (dir. Edward Cline, 1934)
The Crime Doctor (dir. John Robertson, 1934)
The Crime of Doctor Crespi (dir. John H. Auer, 1935)
Crooked Alley (dir. Robert F. Hill, 1922)
The Crooked Way (dir. Robert Florey, 1949)
The Crusades (dir. Cecil B. DeMille, 1935)
La cruz y la espada (dir. Frank Strayer, 1934)
Cry Danger (dir. Robert Parrish, 1951)
Cyrano de Bergerac (dir. Michael Gordon, 1950)
D
Daddy (dir. E. Mason Hopper, 1923)
Damaged Lives (dir. Edgar G. Ulmer, 1933)
Dance Team (dir. Sidney Lanfield, 1932)
Dark Command (dir. Raoul Walsh, 1940)
The Dark Mirror (dir. Robert Siodmak, 1946)
Dark Waters (dir. Andre de Toth, 1944)
Daughter of the Dragon (dir. Lloyd Corrigan, 1931)
Dead Pigeon on Beethoven Street (dir. Samuel Fuller, 1972)
Death Takes a Holiday (dir. Mitchell Leisen, 1934)
De bote en bote (Pardon Us, dir. James Parrott, 1931)
Desert Hearts (dir. Donna Deitch, 1986)
The Devil and Miss Jones (dir. Sam Wood, 1941)
The Devil is a Woman (dir. Josef von Sternberg, 1935)
The Diary of a Chambermaid (dir. Jean Renoir, 1946)
Dirty Gertie from Harlem U.S.A. (dir. Spencer Williams, 1946)
Dishonored (dir. Josef von Sternberg, 1931)
Disorderly Conduct (dir. John W. Considine, Jr., 1932)
Dixiana (dir. Luther Reed, 1930)
Doctor Jack (dir. Fred Newmeyer, 1922)
Doctor X (dir. Michael Curtiz, 1932)
Dollar Down (dir. Tod Browning, 1925)
Double Cross Roads (dir. Alfred Werker, 1930)
Double Door (dir. Charles Vidor, 1934)
Double Indemnity (dir. Billy Wilder, 1944)
A Double Life (dir. George Cukor, 1947)
Dressed to Kill (dir. Roy William Neill, 1946)
The Drums of Jeopardy (dir. George G. Seitz, 1931)
The Dummy (dir. Robert Milton, 1929)
Dynamite (dir. Cecil B. DeMille, 1929)
E
Eadweard Muybridge: Zoopraxographer
(dir. Thom Andersen, Fay Andersen, Morgan Fisher, 1975)
East Lynne (dir. Frank Lloyd, 1931)
Enamorada (dir. Emilio Fernández, 1946)
The Enforcer (dir. Bretaigne Windust, Raoul Walsh (uncredited), 1951)
Eternal Love (dir. Ernst Lubitsch, 1929)
Evangeline (dir. Edwin Carewe, 1929)
Eve's Leaves (dir. Paul Slone, 1926)
Exile Express (dir. Otis Garrett, 1939)
The Exiles (dir. Kent Mackenzie, 1961)
F
A Face in the Crowd (dir. Elia Kazan, 1957)
Faces (dir. John Cassavetes, 1968)
Fair Wind to Java (dir. Joseph Kane, 1953)
False Faces (dir. Lowell Sherman, 1932)
El fantasma del convento (dir. Fernando de Fuentes, 1934)
A Farewell to Arms (dir. Frank Borzage, 1932)
The Farmer Takes a Wife (dir. Victor Fleming, 1935)
The Fast Worker (dir. William A. Seiter, 1924)
Feet First (dir. Clyde Bruckman, 1930)
The Fighting Blade (dir. John S. Robertson, 1923)
The Fighting Seabees (dir. Edward Ludwig, 1944)
The Film Parade (dir. J. Stuart Blackton, 1933)
The First Auto (dir. Roy Del Ruth, 1927)
The First Legion (dir. Douglas Sirk, 1951)
The First Year (dir. William K. Howard, 1932)
Flame of Barbary Coast (dir. Joseph Kane, 1945)
The Flame of the Yukon (dir. George Melford, 1926)
The Flower of Doom (dir. Rex Ingram, 1917)
Flying Tigers (dir. David Miller, 1942)
Follow Thru (dir. Laurence Schwab and Lloyd Corrigan, 1930)
For Alimony Only (dir. William C. de Mille, 1926)
For Heaven's Sake (dir. Sam Taylor, 1926)
For Whom the Bell Tolls (dir. Sam Wood, 1943)
Force of Evil (dir. Abraham Polonsky, 1948)
A Foreign Affair (dir. Billy Wilder, 1948)
The Forgotten Village (dir. Herbert Kline, Alexander Hammid, 1941)
Four Frightened People (dir. Cecil B. DeMille, 1934)
Free to Love (dir. Frank O'Connor, 1925)
The Freshman (dir. Sam Taylor and Fred Newmeyer, 1925)
Frontier Marshal (dir. Lew Seiler, 1932)
Fuera de la ley (dir. Manuel Romero, 1937)
G
Gamperaliya (dir. Lester James Paries, 1945)
The Gay Caballero (dir. Alfred Werker, 1932)
The Gay Desperado (dir. Rouben Mamoulian, 1936)
Gay USA (dir. Arthur Bressan Jr., 1978)
Gilda (dir. Charles Vidor, 1946)
Girl Shy (dir. Fred Newmeyer and Sam Taylor, 1924)
The Girl Who Dared (dir. Howard Bretherton, 1944)
Girls About Town (dir. George Cukor, 1931)
Glorifying the American Girl (dir. Millard Webb, 1929)
The Godless Girl (dir. Cecil B. DeMille, 1928)
God's Little Acre (dir. Anthony Mann, 1958)
God's Step Children (dir. Oscar Micheaux, 1938)
Goldie (dir. Benjamin Stoloff, 1931)
Good Intentions (dir. William K. Howard, 1930)
Good References (dir. Roy William Neill, 1920)
The Goose Woman (dir. Clarence Brown, 1925)
Grandma's Boy (dir. Fred Newmeyer, 1922)
The Great Flamarion (dir. Anthony Mann, 1945)
The Great Rupert (dir. Irving Pichel, 1950)
The Green Goddess (dir. Sidney Olcott, 1923)
Gretchen the Greenhorn (dir. Sidney Franklin and Chester Franklin, 1916)
The Guilty (dir. John Reinhardt, 1947)
Gun Crazy (dir. Joseph H. Lewis, 1950)
The Guns of Navarone (dir. J. Lee Thompson, 1961)
H
He Fell in Love with His Wife (dir. William Desmond Taylor, 1915)
He Walked by Night (dir. Alfred Werker, Anthony Mann, 1948)
Heart of the Rio Grande (dir. William Morgan, 1942)
Hearts of Humanity (dir. Christy Cabanne, 1933)
Hell's Angels (dir. Howard Hughes, 1930)
Her Market Value (dir. Paul Powell, 1925)
Her Sister's Secret (dir. Edgar G. Ulmer, 1946)
Here Comes Mr. Jordan (dir. Alexander Hall, 1941)
High Tide (dir. John Reinhardt, 1947)
High, Wide and Handsome (dir. Rouben Mamoulian, 1937)
His Girl Friday (dir. Howard Hawks, 1940)
His Nibs (dir. Gregory La Cava, 1921)
History is Made at Night (dir. Frank Borzage, 1937)
Holiday (dir. George Cukor, 1937)
Hollow Triumph (dir. Steve Sekeley, 1948)
The Home Maker (dir. King Baggot, 1925)
Home of the Brave (dir. Mark Robson, 1949)
Honor Among Lovers (dir. Dorothy Arzner, 1931)
The Hoodlum (dir. Max Nosseck, 1951)
Hoop Dreams (dir. Steve James, 1994)
Hot Water (dir. Sam Taylor and Fred Newmeyer, 1924)
The Hours and Times (dir. Christopher Munch, 1991)
The House of Fear (dir. Roy William Neill, 1945)
How Green Was My Valley (dir. John Ford, 1941)
Humoresque (dir. Frank Borzage 1920)
Hunting Big Game in the Arctic with Gun and Camera (dir. H.A. and Sidney Snow, 1925)
Husbands (dir. John Cassavetes, 1970)
Hush Money (dir. Sidney Lanfield, 1931)
I
I Believed in You (dir. Irving Cummings, 1934)
I, the Jury (dir. Harry Essex, 1953)
If I Were King (dir. Frank Lloyd, 1938)
In the Land of the Head Hunters (dir. Edward S. Curtis, 1914)
In the Year of the Pig (dir. Emile de Antonio, 1968)
Infernal Machine (dir. Marcel Varnel, 1933)
The Informer (dir. John Ford, 1935)
The Inside Story (dir. Allan Dwan, 1948)
International House (dir. Edward Sutherland, 1933)
I Take This Woman (dir. Marion Gering, 1931)
It Happened Tomorrow (dir. René Clair, 1943)
It's a Joke, Son (dir. Benjamin Stoloff, 1947)
It's in the Bag (dir. Richard Wallace, 1945)
I've Always Loved You (dir. Frank Borzage, 1946)
J
Joan of Arc (dir. Victor Fleming, 1948)
Johnny Come Lately (dir. William K. Howard, 1943)
Journey into Light (dir. Stuart Heisler, 1951)
Just Another Girl on the I.R.T. (dir. Leslie Harris, 1992)
K
K-The Unknown (dir. Harry Pollard, 1924)
The Kid Brother (dir. Ted Wilde, 1927)
Killer of Sheep (dir. Charles Burnett, 1977)
The Killing Floor (dir. Bill Duke, 1985)
Kiss Tomorrow Goodbye (dir. Gordon Douglas, 1950)
Knock on Any Door (dir. Nicholas Ray, 1949)
L
Ladies' Night in a Turkish Bath (dir. Edward Cline, 1928)
Ladrones (dir. James Parrott, 1930)
The Last Outlaw (dir. Christy Cabanne, 1936)
A Law Unto Herself (dir. Wallace Worsley, 1918)
Legong: Dance of the Virgins (dir. Henri de la Falaise, 1935)
Lena Rivers (dir. Beulah Poynter, 1914)
Letter From an Unknown Woman (dir. Max Ophüls, 1948)
Lianna (dir. John Sayles, 1983)
Life in the Raw (dir. Louis King, 1933)
Life with Father (dir. Michael Curtiz, 1947)
Liliom (dir. Frank Borzage, 1930)
The Line-Up at Police Headquarters (dir. Frank Beal, 1914)
The Little American (dir. Cecil B. DeMille, 1917)
Little Women (dir. George Cukor, 1933)
The Lone Star Ranger (dir. A. F. Erikson, 1930)
Long Day's Journey Into Night (dir. Sidney Lumet, 1962)
The Long Voyage Home (dir. John Ford, 1940)
Lost Horizon (dir. Frank Capra, 1937)
The Lost Moment (dir. Martin Gabel, 1947)
Louisiana Story (dir. Robert Flaherty, 1948)
The Love Light (dir. Frances Marion, 1921)
Love Me Tonight (dir. Rouben Mamoulian, 1932)
The Love Parade (dir. Ernst Lubitsch, 1929)
The Love Trap (dir. William Wyler, 1929)
Lucky Boy (dir. Norman Taurog, Charles C. Wilson, 1929)
M
Macbeth (dir. Orson Welles, 1948)
The Mad Game (dir. Irving Cummings, 1933)
Madame la Presidente (dir. Frank Lloyd, 1915)
The Major and the Minor (dir. Billy Wilder, 1942)
Mamba (dir. Albert Rogell, 1930)
Mammy (dir. Michael Curtiz, 1930)
Man and Wife (dir. John L. McCutcheon, 1923)
A Man for All Seasons (dir. Fred Zinnemann, 1966)
The Man I Killed (a.k.a. Broken Lullaby, dir. Ernst Lubitsch, 1932)
The Man on the Eiffel Tower (dir. Burgess Meredith, 1949)
Manos a la obra: The Story of Operations Bootstrap (1983)
Mantrap (dir. Victor Fleming, 1926)
Man Trouble (dir. Berthold Viertel, 1930)
The Man Who Cheated Himself (dir. Felix E. Feist, 1950)
The Mark of Zorro (dir. Rouben Mamoulian, 1940)
Matewan (dir. John Sayles, 1987)
Meet John Doe (dir. Frank Capra, 1941)
The Men (dir. Fred Zinnemann, 1950)
Men in War (dir. Anthony Mann, 1957)
Men on Call (dir. John G. Blystone, 1930)
Merrily We Go to Hell (dir. Dorothy Arzner, 1932)
Michael O'Halloran (dir. Karl Brown, 1938)
Mickey One (dir. Arthur Penn, 1965)
Midnight Madness (dir. F. Harmon Weight, 1928)
A Midsummer Night’s Dream / Ein Sommernachtstraum (dir. Hans Neumann, 1925/1928)
The Milky Way (dir. Leo McCarey, 1936)
The Mississippi Gambler (dir. Reginald Barker, 1929)
Molly O' (dir. F. Richard Jones, 1921)
Monte Carlo (dir. Ernst Lubitsch, 1930)
Moonrise (dir. Frank Borzage, 1948)
The Moon's Our Home (dir. William A. Seiter. 1936)
More Pay, Less Work (dir. Albert Ray, 1926)
Morocco (dir. Josef von Sternberg, 1930)
The Mortal Storm (dir. Frank Borzage, 1948)
Movie Crazy (dir. Clyde Bruckman, 1932)
Movietone Follies of 1930 (dr. Benjamin Stoloff, 1930)
Murder at the Vanities (dir. Mitchell Leisen, 1934)
Murder in Trinidad (dir. Louis King, 1934)
The Murder of Fred Hampton (dir. Howard Alk, 1971)
My Best Girl (dir. Sam Taylor, 1927)
My Darling Clementine (dir. John Ford, 1946)
My Lady of Whims (dir. Dallas M. Fitzgerald, 1925)
My Lady's Lips (dir. James P. Hogan, 1925)
My Lips Betray (dir. John G. Blystone, 1933)
My Man Godfrey (dir. Gregory La Cava, 1936)
My Weakness (dir. David Butler, 1933)
The Mysterious Dr. Fu Manchu (dir. Rowland V. Lee, 1929)
Mystery of the Wax Museum (dir. Michael Curtiz, 1933)
N
Nada más que una mujer (dir. Harry Lachman, 1934)
The Naked Eye (dir. Louis Clyde Stoumen, 1956)
The Naked Kiss (dir. Samuel Fuller, 1964)
Native Land (dir. Leo Hurwitz, Paul Strand, 1942)
A Night in Casablanca (dir. Archie Mayo, 1946)
The Night of the Hunter (dir. Charles Laughton, 1955)
No abras nunca esa puerta (dir. Carlos Hugo Christensen, 1952)
Noah's Ark (dir. Michael Curtiz, 1928)
Noche de Duendes (dir. James Parrott, 1930)
No dejes la puerta abierta (dir. Lewis Seiler, 1933)
The North Star (dir. Lewis Milestone, 1943)
Not Exactly Gentlemen (dir. Benjamin Stoloff, 1931)
No Way Out (dir. Joseph L. Mankiewicz, 1950)
Now I'll Tell (dir. Edwin J. Burke, 1934)
O
Of Mice and Men (dir. Lewis Milestone, 1939)
On the Night Stage (dir. Thomas H. Ince, 1915)
On Your Back (dir. Guthrie McClintic, 1930)
Old San Francisco (dir. Alan Crosland, 1927)
Once a Sinner (dir. Guthrie McClintic, 1930)
One Hour with You (dir. Ernst Lubitsch, 1932)
One Million B.C. (dir. Hal Roach, Sr. and Hal Roach, Jr., 1940)
One Touch of Venus (dir. William A. Seiter, 1948)
Open Secret (dir. John Reinhardt, 1948)
Ornette: Made in America (dir. Shirley Clarke, 1985)
Ouanga (dir. George Terwilliger, 1935)
P
Pack Up Your Troubles (dir. George Marshall, Raymond McCarey, 1932)
The Painted Woman (dir. John G. Blystone, 1932)
Paramount on Parade (Elsie Janis, supervisor, 1930)
Parisian Love (dir. Louis Gasnier, 1925)
Paris is Burning (dir. Jennie Livingston, 1990)
Part Time Wife (dir. Leo McCarey, 1930)
Parting Glances (dir. Bill Sherwood, 1986)
Paths of Glory (dir. Stanley Kubrick, 1957)
The Pearl of Death (dir. Roy William Neill, 1944)
Peggy Leads the Way (dir. Lloyd Ingraham, 1917)
Penny Serenade (dir. George Stevens, 1941)
Pitfall (dir. Andre de Toth, 1948)
The Plainsman (dir. Cecil B. DeMille, 1936)
The Plastic Age (dir. Wesley Ruggles, 1925)
The Plastic Dome of Norma Jean (dir. Juleen Compton, 1966)
Please Don't Bury Me Alive (dir. Efraín Gutiérrez, 1977)
Point of Order! (dir. Emile de Antonio, 1963)
Pointed Heels (dir. Edward Sutherland, 1929)
Poisoned Paradise: The Forbidden Story of Monte Carlo (dir. Louis Gasnier, 1924)
Politiquerias (dir. James W. Horne, 1930)
The Poor Nut (dir. Richard Wallace, 1927)
Pot O' Gold (dir. George Marshall, 1941)
The Power and the Glory (dir. William K. Howard, 1933)
The Prisoner of Zenda (dir. John Cromwell, 1937)
The Private Affairs of Bel Ami (dir. Albert Lewin, 1947)
Private Property (dir. Leslie Stevens, 1960)
The Prowler (dir. Joseph Losey, 1951)
Pursued (dir. Raoul Walsh, 1947)
Pursuit to Algiers (dir. Roy William Neill, 1945)
Q - R
The Quiet Man (dir. John Ford, 1952)
Rainbow Over Texas (dir. Frank McDonald, 1946)
Ramrod (dir. André de Toth, 1947)
Randy Rides Alone (dir. Harry Fraser, 1934)
Rebecca of Sunnybrook Farm (dir. Marshall Neilan, 1917)
The Red House (dir. Delmer Daves, 1947)
The Red Kimona (dir. Walter Lang, 1925)
The Red Menace (dir. R.G. Springsteen, 1949)
The Red Shoes (dir. Michael Powell, Emeric Pressburger, 1948)
The Reform Candidate (dir. Frank Lloyd, 1915)
Remember the Night (dir. Mitchell Leisen, 1940)
Rendezvous with Annie (dir. Allan Dwan, 1946)
Reno (dir. George J. Crone, 1930)
Repeat Performance (dir. Alfred Werker, 1947)
The Return of Dr. Fu Manchu (dir. Rowland V. Lee, 1930)
Return of the Secaucus 7 (dir. John Sayles, 1980)
El rey de los gitanos (dir. Frank Strayer, 1933)
Rio Grande (dir. John Ford, 1950)
River of Grass (dir. Kelly Reichardt, 1994)
Road to Rio (dir. Norman Z. McLeod, 1947)
Road to Utopia (dir. Hal Walker, 1945)
The Roaring Road (dir. James Cruze, 1919)
Robert Frost: A Lover's Quarrel with the World (dir. Shirley Clarke, 1964)
Romola (dir. Henry King, 1924)
The Royal Family of Broadway (dir. Cyril Gardner and George Cukor, 1930)
Run, Tecato, Run (dir. Efraín Gutiérrez, 1979)
Ruthless (dir. Edgar G. Ulmer, 1948)
S
A Sailor-Made Man (dir. Fred Newmeyer, 1921)
The Saint and Her Fool (dir. William Dieterle, 1928)
Safety Last (dir. Fred Newmeyer and Sam Taylor, 1923)
The Salvation Hunters (dir. Josef von Sternberg, 1925)
Sappho (dir. Dimitri Buchowetski, 1921)
Sarah and Son (dir. Dorothy Arzner, 1930)
Satan Met a Lady (dir. William Dieterle, 1936)
The Saturday Night Kid (dir. Edward Sutherland, 1929)
The Scarlet Claw (dir. Roy William Neill, 1944)
The Scarlet Empress (dir. Josef von Sternberg, 1934)
The Scarlet Letter (dir. Victor Seastrom, 1926)
The Scarlet Letter (dir. Robert G. Vignola, 1934)
The Scoundrel (dir. Ben Hecht and Charles MacArthur, 1935)
The Sea Hawk (dir. Frank Lloyd, 1924)
The Sealed Soil (dir. Marva Nabili, 1977)
Second Chorus (dir. H.C. Potter, 1940)
Second Fiddle (dir. Frank Tuttle, 1922)
The Second Floor Mystery (dir. Roy Del Ruth, 1930)
Secret Beyond the Door (dir. Fritz Lang, 1948)
The Secret of Roan Inish (dir. John Sayles, 1994)
Secrets (dir. Frank Borzage, 1933)
The Senator was Indiscreet (dir. George S. Kaufman, 1947)
Sensation Seekers (dir. Lois Weber, 1927)
Servants' Entrance (dir. Frank Lloyd, 1934)
Seven Men from Now (dir. Budd Boetticher, 1956)
Shadows (dir. John Cassavetes, 1959)
Shanghai Lady (dir. John S. Robertson, 1929)
Shanghai Madness (dir. John G. Blystone, 1933)
Sharp Shooters (dir. John G. Blystone, 1928)
She Devil (a.k.a. Drums O'Voodoo, dir. Arthur Hoerl, 1934)
She-Devil Island (dir. Raphael J. Sevilla, 1936)
She Wanted a Millionaire (dir. John G. Blystone, 1932)
She Wore a Yellow Ribbon (dir. John Ford, 1949)
Sherlock Holmes and the Secret Weapon (dir. Roy William Neill, 1942)
Sherlock Holmes and the Voice of Terror (dir. John Rawlins, 1942)
Sherlock Holmes Faces Death (dir. Roy William Neill, 1943)
Sherlock Holmes in Washington (dir. Roy William Neill, 1943)
Shock Corridor (dir. Samuel Fuller, 1963)
The Sideshow (dir. Erle C. Kenton, 1928)
The Sid Saga: Parts I-III (dir. Sid Laverents, 1985-1989)
The Sign of the Cross (dir. Cecil B. DeMille, 1932)
The Sin of Harold Diddlebock (dir. Preston Sturges, 1947)
The Sin of Nora Moran (dir. Phil Goldstone, 1933)
Six Cylinder Love (dir. Thornton Freeland, 1931)
The Sky Hawk (dir. John G. Blystone, 1929)
Skyline (dir. Sam Taylor, 1931)
SLAM (dir. Marc Levin, 1998)
Sleep, My Love (dir. Douglas Sirk, 1948)
Sleepers East (dir. Kenneth MacKenna, 1934)
Smash Up - The Story of a Woman (dir. Stuart Heisler, 1948)
Smiles and Tears of Naples (dir. G. Orlando Vassallo, 1926)
The Smiling Lieutenant (dir. Ernst Lubitsch, 1931)
Smog (dir. Franco Rossi, 1962)
Society Girl (dir. Sidney Lanfied, 1932)
Sombra verde (dir. Roberto Gavaldón, 1954)
Someone to Remember (dir. Robert Siodmak, 1943)
Something New (dir. Nell Shipman, 1920)
Song O' My Heart (dir. Frank Borzage, 1930)
The Song of Songs (dir. Rouben Mamoulian, 1933)
Song of the Open Road (dir. S. Sylvan Simon, 1944)
Sons of the Desert (dir. William A. Seiter, 1933)
S.O.S. Tidal Wave (dir. John H. Auer, 1939)
So This is New York (dir. Richard Fleischer, 1948)
Soup to Nuts (dir. Benjamin Stoloff, 1931)
The Southerner (dir. Jean Renoir, 1945)
Specter of the Rose (dir. Ben Hecht, 1946)
Speedy (dir. Ted Wilde, 1928)
The Spider (dir. William Cameron Menzies, 1931)
The Spider Woman (dir. Roy William Neill, 1944)
Spring Night, Summer Night (dir. J. L. Anderson, 1967)
Spuds (dir. Edward Ludwig, 1927)
The Spy (dir. Berthold Viertel, 1930)
Stagecoach (dir. John Ford, 1939)
A Star is Born (dir. William A. Wellman, 1937)
Stranded (dir. Juleen Compton, 1965)
The Strange Affair of Uncle Harry (dir. Robert Siodmak, 1945)
Strange Illusion (dir. Edgar G. Ulmer, 1946)
Strange Impersonation (dir. Anthony Mann, 1946)
Strangers in the Night (dir. Anthony Mann, 1944)
Street Scene (dir. King Vidor, 1931)
Supernatural (dir. Victor Halperin, 1933)
Sweethearts and Wives (dir. Clarence Badger, 1930)
T
Tabu (dir. F. W. Murnau, 1931)
A Tale of Two Cities (dir. William Humphrey, 1911)
Los tallos amargos (The Bitter Stems, dir. Fernando Ayala, 1956)
Tempest (dir. Sam Taylor, 1928)
Temple Tower (dir. Donald Gallagher, 1930)
Terror by Night (dir. Roy William Neill, 1946)
Tess of the Storm Country (dir. Edwin S. Porter, 1914)
Tess of the Storm Country (dir. Alfred Santell, 1922)
That Cold Day in the Park (dir. Robert Altman, 1969)
That's My Daddy (dir. Fred Newmeyer, 1928)
Thirty Day Princess (dir. Marion Gering, 1934)
This Day and Age (dir. Cecil B. DeMille, 1933)
This is the Army (dir. Michael Curtiz, 1943)
This is the Night (dir. Frank Tuttle, 1932)
Three Lost Girls (dir. Sidney Lanfield, 1931)
365 Nights in Hollywood (dir. George Marshall, 1934)
Thunderbolt (dir. Josef von Sternberg, 1929)
Tillie's Punctured Romance (dir. Mack Sennett, 1914)
Time of the Heathen (dir. Peter Kass, 1961)
The Times of Harvey Milk (dir. Robert Epstein, 1984)
To Each His Own (dir. Mitchell Leisen, 1946)
The Toll of the Sea (dir. Chester Franklin, 1922)
Tonight or Never (dir. Mervyn LeRoy, 1931)
Too Late for Tears (dir. Byron Haskin, 1949)
Too Much Harmony (dir. Edward Sutherland, 1933)
Topper (dir. Norman Z. McLeod, 1937)
Topper Returns (dir. Roy Del Ruth, 1941)
Topper Takes a Trip (dir. Norman Z. McLeod, 1938)
Trapped (dir. Richard Fleischer, 1949)
Trigger, Jr. (dir. William Witney, 1950)
Trouble in Paradise (dir. Ernst Lubitsch, 1932)
True Confession (dir. Wesley Ruggles, 1937)
Try and Get Me (a.k.a The Sound of Fury, dir. Cyril Endfield, 1950)
The Turmoil (dir. Hobart Henley, 1924)
Turnabout (dir. Hal Roach, 1940)
U
Under a Texas Moon (dir. Michael Curtiz, 1930)
Under Suspicion (dir. A. F. Erickson, 1930)
Under Two Flags (dir. Frank Lloyd, 1936)
Under Western Stars (dir. Joe Kane, 1938)
Union Pacific (dir. Cecil B. DeMille, 1939)
Up the Road with Sallie (dir. William Desmond Taylor, 1918)
V
The Vagabond King (dir. Ludwig Berger, 1929)
Valley of the Giants (dir. Charles Brabin, 1927)
The Vampire Bat (dir. Frank Strayer, 1933)
El vampiro negro (The Black Vampire, dir. Román Viñoly Barreto, 1953)
Vanity Fair (dir. Chester M. Franklin, 1932)
La vida bohemia (dir. Josef Berne, 1938)
La vida nocturna (dir. James Parrott, 1930)
La virgen de la caridad (dir. Ramón Peón, 1930)
Viennese Nights (dir. Alan Crosland, 1930)
The Virginian (dir. Victor Fleming, 1929)
Voice in the Wind (dir. Arthur Ripley, 1944)
W
The Wages of Sin (dir. Herman E. Webber, 1938)
A Walk in the Sun (dir. Lewis Milestone, 1946)
Wanda (dir. Barbara Loden, 1970)
The Watermelon Woman (dir. Cheryl Dunye, 1996)
Way Out West (dir. James W. Horne, 1937)
Weary River (dir. Frank Lloyd, 1929)
Weekends Only (dir. Alan Crosland, 1932)
Welcome Danger (dir. Clyde Bruckman, 1929)
We’re Alive (dir. Michie Gleason, Christine Lesiak, Kathy Levitt and the women prisoners of the California Institution for Women, 1974)
What Happened to Jones (dir. William Seiter, 1926)
When a Man Loves (dir. Alan Crosland, 1927)
Where the Worst Begins (dir. John McDermott, 1925)
The White Parade (dir. Irving Cummings, 1934)
White Zombie (dir. Victor Halperin, 1932)
Why We Fight: The Battle of Russia (dir. Frank Capra, 1943)
Why Worry? (dir. Fred Newmeyer and Sam Taylor, 1923)
The Wild One (dir. Laslo Benedek, 1954)
The Wild Party (dir. Dorothy Arzner, 1929)
Winterset (dir. Alfred Santell, 1936)
With the Greeks in the Firing Line (dir. Robert Schwobthaler, 1913)
Witness for the Prosecution (dir. Billy Wilder, 1957)
The Wizard of Oz (dir. Larry Semon, 1925)
The Woman in Green (dir. Roy William Neill, 1945)
Woman on the Run (dir. Norman Foster, 1950)
A Woman Under the Influence (dir. John Cassavetes, 1974)
Women Everywhere (dir. Alexander Korda, 1930)
Women of All Nations (dir. Raoul Walsh, 1931)
Word is Out: Stories of Some of Our Lives (dir. Mariposa Film Group: Peter Adair, Nancy Adair, Veronica Selver, Andrew Brown, Robert Epstein, Lucy Massie Phenix, 1977)
Working Girls (dir. Dorothy Arzner, 1931)
Working Girls (dir. Lizzie Borden, 1986)
The Working Man (dir. John G. Adolfi, 1933)
Y
The Years of the Locust (dir. George Melford, 1916)
Young America (dir. Frank Borzage, 1932)
Young Romance (dir. George Melford, 1915)
