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Restored by UCLA Film & Television Archive with funding provided by the National Film Preservation Foundation and The Packard Humanities Institute
The Murder of Fred Hampton (1971)
Presented in partnership with the Chicago Film Archives (CFA), whose goal is to provide and preserve alternative, oft-neglected perspectives on our collective past via 20th century cinema and sounds. CFA believes that to gain a better understanding of ourselves, our neighbors and our future, we must carefully consider our collective and various histories. It is in this light that we present the recently preserved 1971 feature-length documentary, The Murder of Fred Hampton, from CFA’s Film Group Collection.
UCLA Film & Television Archive Senior Film Preservationist Jillian Borders wrote on the film for the UCLA Festival of Preservation in 2017: “The Murder of Fred Hampton has never felt more relevant. It serves as a document of the late 1960s, but it is impossible not to draw comparisons between the film's representation of the Black Panther Party, which started as a way to fight police brutality towards young Black men, and today's Black Lives Matter movement, sparked by police shootings of African American youth.
“A group of independent filmmakers in Chicago, fashioning themselves as The Film Group, set out to profile Chairman Fred Hampton, the charismatic, 21-year-old leader of the Illinois chapter of the Black Panther Party, and ended up documenting the last nine months of his life. During production, in the early morning of December 4, 1969, Hampton's apartment and Party hangout was raided by officers assigned to State's Attorney Edward V. Hanrahan. During the ensuing assault, Hampton and Mark Clark were killed and four others wounded. As the film goes on to argue, the raid was unlawful and Hampton's death was, in effect, an assassination.
“The Murder of Fred Hampton is not just exceptional for the investigation it presents. It shows a fuller portrait of a misunderstood political movement that was simplistically reduced, by its critics and the media, as one solely devoted to violent militancy. Instead of that narrative, we see the attempts of the Black Panthers to better their neighborhoods through socialist initiatives. Viewing this film today feels like a rediscovery of the legacy of the Black Panther Party and the movement to try to create a coalition of all races, not just African Americans. Hampton reframed the Party's slogan of ‘Power to the People’ to ‘All power to all people.’ Words still valuable today.”
The screening of this film will be followed by a conversation with Henry “Poison” Gaddis, Black Panther Party member and Executive Director of Hope and a Home; Lynn French, former Black Panther Party member; and Flint Taylor, founding partner of the People’s Law Office. The conversation will be moderated by Jakobi Williams, Ruth N. Halls Associate Professor in the Department of African American Diaspora Studies and the Department of History at Indiana University-Bloomington.
B/w, 88 min. Director: Howard Alk. Production: The Film Group, Chicago. Distribution: MGA. Producer: Mike Gray. Cinematographer: Howard Alk, Mike Gray. Editor: Howard Alk, John Mason.
Restored by the UCLA Film & Television Archive from the 16mm acetate original camera negatives, the 35mm acetate duplicate negative and the 35mm acetate composite fine grain master. Laboratory services by The Stanford Theatre Film Laboratory, Audio Mechanics, Simon Daniel Sound, DJ Audio, Inc. Special thanks to: Carol Gray.
