Read an interview with Daisuke Miyao on our blog.
As part of Hollywood and Holy Wood: Silent Cinema Connections between Los Angeles and Japan, Daisuke Miyao will present a talk on the transnational career of Henry Kotani, a cinematographer who worked under Cecil B. DeMille until he was wooed in 1920 by the Shochiku Company to bring Hollywood-style lighting to the Japanese-based studio as a director.
Curator of Hollywood and Holy Wood, Daisuke Miyao is the Hajime Mori Chair in Japanese Language and Literature at UC San Diego, and the author of The Aesthetics of Shadow: Lighting and Japanese Cinema (Duke University Press, 2013) and Sessue Hayakawa: Silent Cinema and Transnational Stardom (Duke University Press, 2007).
This program is also part of Archive Talks, which pairs leading scholars with screenings of the moving image media that is the focus of their research.