No more whoopee parties for feckless Kay Dowling. Dispatched to Wyoming by her millionaire father to avert a scandal, the Manhattan princess further compromises her reputation with cowpuncher Tom McNair. Disowned by daddy, Kay marries her buckaroo only to be exiled to a desolate little shack on the prairie.
Based on a 1927 serial in The Saturday Evening Post, “Lost Ecstasy” by Mary Roberts Rinehart, the plot of the spoiled Eastern girl confronting rough and tumble life in the West was already an established cliché in popular fiction. Rinehart was one of the most successful fiction writers of the 1920s, best known for her mysteries such as The Bat and Miss Pinkerton, though she wrote in many genres. Russian émigré stage director Marion Gering made his cinema debut with I Take This Woman. Gering's career at Paramount includes such notables as Devil and the Deep (1932), 24 Hours (1931), Thirty Day Princess (1934) and Madame Butterfly (1932).
According to studio memos, Paramount rechristened the movie I Take This Woman to “emphasize the romance rather than the western setting, and reflect more of the boy's role than the girl's.” The boy is Gary Cooper, Paramount's stoic cowpuncher since his breakthrough role in The Virginian (1929). The woman that he was intended to take was Nancy Carroll until the story was reshaped as a star-building vehicle for Carole Lombard. “A few more performances like this from Carole Lombard,” said the discerning Variety, “and Paramount will have a new star on its hands.”
Who would imagine that a talkie starring Gary Cooper and Carole Lombard would go missing? When the story rights and film elements for I Take This Woman reverted to Mary Roberts Rinehart, the author kept a 16mm print for her own pleasure and junked the 35mm camera negative. “Lost Ecstasy” become a lost movie. —Scott MacQueen
35mm, b/w, 72 min. Director: Marion Gering. Associate Director: Slavko Vorkapich. Production: Paramount Publix Corp. Distribution: Paramount Publix Corp. Based on the story “Lost Ecstasy” by Mary Roberts Rinehart. Screenwriter: Victor Lawrence. Cinematography: Victor Milner. Cast: Gary Cooper, Carole Lombard, Helen Ware, Lester Vail, Charles Trowbridge.
Restored from the 35mm nitrate studio print. Laboratory services by The Stanford Theatre Film Laboratory, Audio Mechanics, DJ Audio, Inc.